At the core of my practice is an inquiry into maintenance, as a subject, method, and lived experience.

 

What started as an interest in the invisible systems that hold our lives together has become an ongoing investigation of the quiet, affective economies of power, tenderness, and endurance that hold these systems in place.

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In a moment marked by acceleration and overwhelm, I return to maintenance as a radical form of slowness and care, a counter-tempo that resists extractive rhythms of productivity.

 

My research extends beyond the studio, drawing on archives, conversations, and collective processes. Rather than seeking clarity or resolution, my work remains rooted in repetition, fragmentation, and the desire to keep something, or someone, going.

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Formally, my practice is image-based, and experiments with video, sound, rhythm, printed fragments, reassembled images, and subtle shifts in color and light. Editing, looping, and recontextualizing become gestures of maintenance themselves.

 

I see each work is a constellation, a way of articulating what words alone cannot: the quiet architecture of care, and the emotional residue of holding things together.